At the core of this enormously bleak melodrama, there is a beautiful, passionate woman (Florence Marly, Chenal's wife) who capriciously oscillates between two men (Chiola, De Paula), even though she knows her fate is fatally linked to one of them.

Fátima is unfairly accused of a murder and she spends 10 years in jail away from her family, crying out for justice. A decade later and now a free woman she seeks out to recover the time lost and exact vengance to whoever framed her.

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Après 20 ans de voyage à travers l’Amérique latine, un ethnographe franco-suisse disparaît de la carte. À travers des carnets de voyage de différents ethnographes et des archives cinématographiques non fictionnelles, l’auteur imagine et construit un journal de voyage de l’ethnographe inconnu et incognito des années 1950 et 1970, témoignage de la transformation industrielle, de l’évangélisation et de l’ethnocide des communautés d’Amérique latine.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

A young girl whit a messy life gets involved in an adventure in cat kingdom.

Keta is a professional makeup artist with a big butt and large thighs, but she also has big dreams. The truth is that Keta with her overweight, her addiction to marijuana and her pink hair can not get a job anywhere, so she ends up as a drug dealer handing out goods to her neighbor - who is addicted to all kinds of painkillers-, to an actress of soap operas as schizophrenic as a cocaine addict; also going through a swinger couple, a prude housewife, a not so prude nun and a host of characters that will surely make more than one viewer is reflected.

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Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.